Earth - mud - clay was among the first materials of conscious human creation, and pots, initially functional and soon aesthetic, have been an essential part of culture since the dawn of human time.
Building on ancient tradition, Mingei (民芸, "art of the people" or "folk art") became a philosophical and artistic movement in 1926 and gained a powerful momentum that has kept its spirit vibrant to this day not only in its native Japan, but in the work of contemporary potters from many corners of the world.
Mingei joins seemingly irreconcilable opposites - East and West, tradition and modernity, function and pure form, rusticity and sophistication, intuition and intellect, chance and intention, restraint and exuberance, the unknown craftsman and the artist potter - into a dynamic harmony that brings together head, heart, and hand.
Each time Hamada Shoji, perhaps the most famous Japanese potter of the 20th century and one of Mingei's founders, lit his noborigama (climbing kiln) in Mashiko, he would pour an offering of sake, toss a pinch of salt, and pray to the kiln gods to "give birth to good things."
Beauty, then, would be "born," not "made," with the potter serving as a conduit in a process that was - and is - healthy, robust and free-flowing, almost nonchalant in its unforced grace and confidence.
Please feel free to explore our Offerings. We hope your enjoy your visit.